Is there a term for when you redraw a 930×930 black and white image pixel-by-pixel because you couldn’t get a clean enough scan? Aside from crazy, of course.

As part of getting my book writing project back on track, I spent some time over the weekend seeing if there’d be a better way than DTP software to realise the end product. It’s not just text, so some degree of design is required.

The project’s scope is extensive; without even adding the content, it was already around 100 pages, just by adding a two-page chapter for each year, the table of contents based on that, some random front matter, etc. Once done, it’ll probably be double to triple that.

This is one of the things that loomed over me and caused me quite some anxiety. I’d have to adjust the design constantly as content gets added here and there.

So, I finally took the time to look into LaTeX and BibTeX (properly), and I’ve made more progress in about 16 hours altogether than in all the time preceding. It’s partly down to doing preliminary designs in Affinity Publisher to understand how a page should look, how an item will be represented, etc.

At some point during this exploration, I’d even considered using an SSG to manage the Markdown/JSON files I’d already created and then generate the .tex files from them, but luckily I came to my senses. There’d still need to be minor adjustments as the content gets added, which would overly complicate the process. So, instead, I’ll do a once-off conversion from the existing files and then create new LaTeX files going forward.

Suddenly this feels way more achievable, and some preliminary tests with pre-flighting software have indicated that the generated PDFs are more ready for print/press use than I’d thought.

Now it’s just the easy task of getting the writing out of the way. /s

Whenever I hear one of the tracks from Glee, I miss the series so, so much. It lost its footing in the middle of its run, but the last season was just pure, magical entertainment again. This original track from season two is one of the best tracks from the series, in my opinion.

My next project – a variable revival of Microgramma. I’m still undecided about whether to create a lighter weight below the regular. I’m not undecided about wanting to create narrower and wider widths than stretta and larga though.

After wrapping up the initial release of General Gothic, I did some housekeeping and found another font that I’d let languish.

Art Disco is precisely what it sounds like – a font where Art Deco meets Disco. You could even get some decent retro sci-fi lettering out of it with a bit of effort.

It’s bare-bones right now – uppercase letters and numbers only. I’ll add some punctuation, accented characters and hinting down the line.

Get it from barry.mieny.com/fonts/art-disco.html

I’d run out of steam a few months ago after drawing roughly the same design three times in a row, except for the numbers of the light master. This morning I finally sat down and hammered out the last ten glyphs.

Not an original design, but here’s version 0.1 of General Gothic. It’s an interpolated family based on Lightline Gothic, News Gothic and Franklin Gothic.

It’s far from perfect, but I’ll iron out the kinks over time and increase the glyph coverage.

Get it from barry.mieny.com/fonts/general-gothic.html